week
1.
1.
TUE JAN 19 Classes begin
WED JAN 20 Introduction to course
VALUE SCALES monochromatic painting investigation
FRI JAN 22 A few painters of our time + Value Scales
2.
MON JAN 25 Monochromatic Still Life, alla prima White on White Still Life
TUE JAN 26 end of Add/Drop
WED JAN 27 Monochromatic Still Life
FRI JAN 29 Monochromatic Still Life
3.
MON FEB 01 Lecture: Color Mapping + Light
color perception > intensity > Afterimage > successive contrast > simultaneous
mixing > contrast > optical color > afterimage > optical movement
complimentary color schema / color mixing > Bezold schema
optical movement > afterimage > Monochromatic / Analogous
Color wheel development
MON FEB 01 Lecture: Color Mapping + Light
color perception > intensity > Afterimage > successive contrast > simultaneous
mixing > contrast > optical color > afterimage > optical movement
complimentary color schema / color mixing > Bezold schema
optical movement > afterimage > Monochromatic / Analogous
Color wheel development
WED FEB 03 Color wheel & simultaneous contrast - vibrating compliments + transparency
FRI FEB 05 Complimentary - transparency + Bezold schema
4. five deconstructive analysis due
MON FEB 08 Simultaneous contrast - vibrating compliments + transparency
Develop abstract patterns from ORGANIC MATERIALS
Develop abstract patterns from ORGANIC MATERIALS
Complimentary Pairs in Sketchbooks > Vibrating Colors + IMPACT > Complimentary Pairs
WED FEB 10 Collage Imag3textualities > James Rosenquist Master of Visual Haiku
FRI FEB 12 Critique : Simultaneous Constrast + Vibrating compliments
Collage Imag3textualities
Collage Imag3textualities
5. ten deconstructive analysis due
MON FEB 15 Critique : 4 collages
DEMO STRETCH canvases > Gesso // bring in 4 wooden stretcher bars
WED FEB 17 Imag3textualities
FRI FEB 19 Video: Wasteland by Vic Muniz
bring in your gouache and brushes next class
3 page response paper to the WASTELAND:
i. What is the global impact of Vic Muniz?
ii. What are the current efforts of Muniz, other artists/designers and organizations that support
change in a specific regional, national and/or global level?
bring in your gouache and brushes next class
3 page response paper to the WASTELAND:
i. What is the global impact of Vic Muniz?
ii. What are the current efforts of Muniz, other artists/designers and organizations that support
change in a specific regional, national and/or global level?
6. fifteen deconstructive analysis due
#1 Student research Multi Media presentations
#1 Student research Multi Media presentations
MON FEB 22 Imag3textualities - transfer onto stretched canvases
WED FEB 24 Field Trip : Everson Museum of Art Syracuse
FRI FEB 26 Imag3textualities
Submit 4 page research artist paper complete with Bibliography MLA or APA style
Submit 4 page research artist paper complete with Bibliography MLA or APA style
7. midterm
twenty deconstructive analysis due
twenty deconstructive analysis due
MON FEB 29 Critique : Imag3textualities
WED MAR 02 Imag3textualities
FRI MAR 04 Field Trip: COMMERCIAL ART . Syracuse . NY
Spring Break Monday MAR 07 through FRI MAR 11
Spring Break Monday MAR 07 through FRI MAR 11
8. twenty-five deconstructive analysis due
MON MAR 14 Lecture: Vanitas
WED MAR 16 Field Trip: EVERSON MUSEUM OF ART . Syracuse . NY
FRI MAR 18 Vanitas
9. thirty deconstructive analysis due
MON MAR 21 Vanitas
WED MAR 23 Field Trip: GOLDEN PAINT . New Berlin . NY
FRI MAR 25 Critique Vanitas
10. thirty-five deconstructive analysis due
MON MAR 28 Lecture: Towards Abstraction Serial Transformation
WED MAR 30 Towards Abstraction Serial Transformation
FRI APR 01 Towards Abstraction Serial Transformation
Last day to withdrawal from a class
Last day to withdrawal from a class
11. forty deconstructive analysis due
MON APR 04 Towards Abstraction Serial Transformation
Registration week begins
Registration week begins
WED APR 06 Towards Abstraction Serial Transformation
FRI APR 08 Serial Transformation Serial Transformation
Lecture: Final Project
Lecture: Final Project
12. forty-five deconstructive analysis due
MON APR 11 Towards Abstraction Serial Transformation
1:1 Final Project conferences
1:1 Final Project conferences
WED APR 13 Towards Abstraction Serial Transformation
FRI APR 15 Critique: Towards Abstraction Serial Transformation
13. fifty deconstructive analysis due
#2 Student research Multi Media presentations
MON APR 18 En plein air weather permitting - wear appropriate clothing + bring container of H20
WED APR 20 En plein air weather permitting - wear appropriate clothing + bring container of H20
FRI APR 22 En plein air weather permitting - wear appropriate clothing + bring container of H20
SAT APR 23 College Fashion Show
14.
SAT APR 23 College Fashion Show
MON APR 25 Final Project studio work
WED APR 27 Student directed Final project Serial work
FRI APR 29 Student directed Final project Serial work
15.
MON MAY 02 Last day of classes / Reading Day - no class
TUESDAY MAY 03 through FRIDAY 06 = Final Exams
FRI MAY 06 Residence Halls close @ 7 PM
TUE MAY 10 Final Grades Due
SAT MAY 14 COMMENCEMENT
Depending on the nature of each assignment and the experience of the class, the calendar may be modified by the instructor. Students will be informed to any changes in advance of assignment due dates.